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PIANO & CLAVIERS
Piano (partie séparée)
921
Orgue
841
Piano seul
513
Piano, Voix et Guitare
170
Piano Facile
80
Piano Trio: piano, violon, violoncelle
29
Accompagnement Piano
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1 Piano, 4 mains
15
Orgue, Trompette (duo)
12
Orgue, Piano (duo)
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2 Pianos, 4 mains
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Piano Quatuor: piano, violon, alto, violoncelle
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Piano Quatuor: piano, 2 violons, violoncelle
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Accordéon
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Piano, Voix
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Clavecin
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Ligne De Mélodie, Piano
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Guitare (partie séparée)
755
Basse électrique (partie séparée)
52
Ligne De Mélodie, (Paroles) et Accords
36
Guitare
33
Guitare notes et tablatures
29
Ukulele
10
4 Guitares (Quatuor)
6
Banjo
5
2 Guitares (duo)
4
Piano, Guitare (duo)
1
Paroles et Accords
1
3 Guitares (trio)
1
Mandoline
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VOIX
Chorale SATB
11351
Chorale 3 parties
4848
Chorale 2 parties
2407
Chorale
2191
Chorale TTBB
2026
Chorale SSAA
1281
Chorale Unison
888
Chorale SSATB
146
Chorale SSAATTBB
44
Chorale SSATTB
39
Chorale, Orgue
27
Chorale SSAATB
22
Voix seule
14
Chorale SSAB a cappella
14
Chorale SSAATB A Cappella
8
Chorale SATBB
6
Voix Soprano, Orchestre
5
Chorale SAATB A Cappella
4
Chorale SSAB, Piano
3
Voix basse, Piano
1
Voix haute
1
Voix moyenne, Piano
1
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VENTS
Saxophone (partie séparée)
816
Clarinette (partie séparée)
685
Flute (partie séparée)
554
Hautbois (partie séparée)
393
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
135
Quatuor de Saxophones: 4 saxophones
100
Flûte, Hautbois, Clarinette, Basson
84
Flûte traversière et Piano
81
Clarinette et Piano
74
Quatuor de Clarinettes: 4 clarinettes
61
Hautbois, Piano (duo)
43
Saxophone Alto et Piano
40
Flûte et Guitare
37
Quatuor de Flûtes : 4 flûtes
35
2 Saxophones (duo)
29
Quintette de Saxophone: 5 saxophones
27
Clarinette
27
Saxophone Tenor et Piano
23
Flûte traversière
21
3 Saxophones (trio)
17
Saxophone Soprano et Piano
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Quatuor de Flûtes à bec
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Cor anglais, Piano
16
2 Clarinettes (duo)
15
2 Flûtes traversières (duo)
14
Flûte, Clarinette, Cor, Basson (Quartet)
12
Flûte à Bec
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Quintette de Clarinettes: 5 clarinettes
12
Flûte, Clarinette (duo)
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Saxophone Alto
12
3 Flûtes à bec (trio)
12
Flûte à bec Soprano
11
3 Clarinettes (trio)
11
Trio de Flûtes: 3 flûtes
9
2 Flûte à bec (duo)
8
Ensemble de saxophones
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Clarinette Basse, Piano
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Saxophone Baryton, Piano
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Ensemble de Clarinettes
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Ensemble De Flûte à bec
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Flûte à bec Tenor
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Basson (duo)
4
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Alto
3
Flûte à bec Soprano, Piano
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Flûte, Hautbois, Clarinette (trio)
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Flûte, Clarinette, Piano (trio)
2
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2
2 Hautbois (duo)
2
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2
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2
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Cor Anglais
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Hautbois, Harpe
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1
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1
3 Hautbois
1
Saxophone
1
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Trompette (partie séparée)
1298
Trombone (partie séparée)
971
Cor (partie séparée)
443
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
177
Tuba (partie séparée)
116
Quatuor de Cuivres : 2 trompettes, trombone, tuba
57
Quatuor de cuivres: 4 trombones
54
Trompette, Piano
50
Trombone et Piano
38
Cor et Piano
32
Quatuor de cuivres: 4 cors
32
Trompette
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
2 Euphoniums et 2 Tubas
23
Quatuor de Cuivres
22
Ensemble de Trombones
16
Cor anglais, Piano
16
Trombone
11
Cor
10
3 Trombones (trio)
10
2 Trompettes (duo)
10
Trompette, Trombone (duo)
10
2 Trombones (duo)
9
4 Tubas
9
Tuba et Piano
9
Quatuor de cuivres: 4 trompettes
8
Ensemble de Cors
7
Trompette, Cor (duo)
6
2 Cors (duo)
6
3 Cors (trio)
6
Cor, Orchestre
5
Euphonium, Piano (duo)
5
Euphonium, Tuba (duo)
4
Tuba
4
Trio de Cuivres
4
3 Tubas (trio)
4
Tuba et Orgue
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
2 Tubas (duo)
3
Cornet A Pistons
3
3 Trompettes (trio)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Trompettes
2
Trombone, Cor (duo)
2
Cor et Basson (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Cor Anglais
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Trombone basse et Piano
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Trompette, Orchestre
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Contrebasse (partie séparée)
1597
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1033
Violoncelle (partie séparée)
591
Alto (partie séparée)
510
Harpe (partie séparée)
290
Quatuor à cordes: 2 violons, alto, violoncelle
279
Violon et Piano
91
Violoncelle, Piano
65
Alto, Piano
64
Violon
31
Trio à Cordes: violon, alto, violoncelle
28
Harpe
23
Violon, Violoncelle (duo)
18
4 Violoncelles
15
Violoncelle
12
Alto seul
12
2 Violons (duo)
12
Violoncelle, Orchestre
11
Violon, Orgue
9
Contrebasse, Piano (duo)
9
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Violoncelles (duo)
8
2 Altos (duo)
7
Alto, Violoncelle (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 violins
6
Quatuor à cordes: 4 violons
5
Trio à cordes
4
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
4
Contre Basse
4
Trio à Cordes: 2 violons, violoncelle
4
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon, Violoncelle
3
Harpe, Flûte (duo)
3
Alto, Guitare (duo)
2
Alto et Basson
1
Violon, Basson (duo)
1
Violon, Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Violoncelle, Basse continue
1
4 Contrebasses
1
Ensemble d'Altos
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Violoncelle, Orgue
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1033
Percussion (partie séparée)
878
Batterie (partie séparée)
673
Orchestre
542
Orchestre à Cordes
339
Ensemble Jazz
163
Fanfare
140
Ensemble de cuivres
96
Cloches
72
Piano et Orchestre
71
Batterie
63
Timbales (partie séparée)
58
Orchestre de chambre
54
Orchestre, Violon
17
Jazz combo
10
Percussion
8
Marimba
8
Vibraphone (partie séparée)
7
Ensemble de Percussions
4
Instrumentation Flexible
4
Vibraphone
3
Xylophone, Piano
1
Caisse Claire
1
Big band
1
Voix et Orchestre
1
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AUTRES
Papeterie
1
Vous avez sélectionné:
CHORAL - VOCAL - CHOIR
Saxophone Baryton, Piano
Partitions à imprimer
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Arioso by Bach for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1047137 Composed by J…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1047137 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651666. Published by Woods Only, Arrangements (A0.1047137). This easy arrangement for baritone sax and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
1.86 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Baritone Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur OâLeary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâs The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
25.15 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by Ge…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handelâs Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
30.75 €
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Saxophone Baryton, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
O Jesulein süss by Bach for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049990 Composed by J…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049990 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654387. Published by Woods Only, Arrangements (A0.1049990). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süÃ, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$1.99
1.86 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach for Baritone Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Bach - Arioso from Cantata BWV 156 for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1349698 Composed by J…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1349698 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score and part. 6 pages. SCORE EDITIONS #934470. Published by SCORE EDITIONS (A0.1349698). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bachâs favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
5.59 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Harry Walker
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Bach - Arioso from Cantata BWV 156 for Baritone Saxophone and Piano
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SCORE EDITIONS
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SheetMusicPlus
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Ma…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâs songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.29 €
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Saxophone Baryton, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Jesu, joy of man's desiring by Bach for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049442 Composed by J…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049442 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653792. Published by Woods Only, Arrangements (A0.1049442). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
1.86 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by Bach for Baritone Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
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